Artist’s statement
April 10, 2010
Neo-Parnassian in outlook, retro-futurist by temperament the artist X strives to maintain a consistent balance in his published ouvrage between a déclassé sub-elitism and a suprawhelming critique of the predominant Anglo-Saxon Euro-verzeichnis (to borrow Fronde’s now-hackneyed phraseology). After struggling in her early years for an entré into the proto-’American’ culture of Retzian vehemology, the rondpoint in his career came with the adoption of the new phalacrocoratic trending prompted (ab initio) by artists in the school of Truman, Hanbury and Buxton. Later influences which would be harder to dismiss (albeit difficult to detect) include a Gilbey-derived courrientiel of the Harrogate years.
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